Superstructures

Superstructures (2012) is a series of digitally captured photographs made with a pinhole lens, using symbolic environments and softened forms to examine the confines of coercive control. The deliberate loss of clarity collapses time and destabilizes the image, reflecting how belief systems are absorbed slowly and bodily rather than consciously understood.

The work considers architecture—both physical and psychological—as a site of conditioning and resistance. Positioned between documentary and allegory, Superstructures anticipates later explorations of belief, embodiment, and self-surveillance found in Burdens of a White Dress.